A fairytale for all about a girl overwhelmed by grief, a boy who loves her, and how greed leads the purest of hearts to commit the vilest of actions. 　　A timeless and universal story, both strange and familiar, from meticulously crafted puppets and miniature sets. The film uses a hybrid technique of frame-by-frame animation, live-action and CGI to achieve a depth of emotion and expressiveness unseen in a puppet-based medium.

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Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères 　　Film Festival which took place from 1965 to 1983. It was at that time the most important 　　in France just after the glamorous Cannes Film Festival and a friendly place to discover 　　young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax 　　before they became a legend for the art-house film amateurs. Hyères was a vivid 　　space for passionate debates, incredible polemics and above all surprising encounters. 　　In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared 　　in 1983, it is not only because of internal and political conflicts but also for an unfair 　　competition with Cannes. The « Perspectives » section at Cannes, widely inspired 　　by Hyères, was attracting those same young talents discovered there. My personal 　　history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was 　　in charge of the “Cinéma Différent” section. Therefore, it’s with a real emotion that 　　I have dived into the festival’s unreleased archives - finding astounding debates 　　or hilarious reactions of the audience - in order to reweave the thread of that forgotten 　　and yet so meaningful story about Cinema.

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères 　　Film Festival which took place from 1965 to 1983. It was at that time the most important 　　in France just after the glamorous Cannes Film Festival and a friendly place to discover 　　young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax 　　before they became a legend for the art-house film amateurs. Hyères was a vivid 　　space for passionate debates, incredible polemics and above all surprising encounters. 　　In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared 　　in 1983, it is not only because of internal and political conflicts but also for an unfair 　　competition with Cannes. The « Perspectives » section at Cannes, widely inspired 　　by Hyères, was attracting those same young talents discovered there. My personal 　　history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was 　　in charge of the “Cinéma Différent” section. Therefore, it’s with a real emotion that 　　I have dived into the festival’s unreleased archives - finding astounding debates 　　or hilarious reactions of the audience - in order to reweave the thread of that forgotten 　　and yet so meaningful story about Cinema.

The dramatic failure of a couple, Véronique and Gilles, who can't solve their everyday problems. On the verge of breaking up, they're reunited at the last minute.

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Louise returns home from a humanitarian aid mission having been cut off from the world for weeks and is met with a shock: her daughter Safa is dead - drowned. The Medical Examiner's conclusion: accidental death. But Louise won't accept this, knowing her daughter's complete phobia of water. She is determined to uncover the truth alone: Safa was murdered. Louise adopts a false name to find a job at the winegrower's where her daughter worked and soon figures out the complex relations that tied Safa to her employers' family. A family seemingly founded on secrets. The motive and murder seem obvious. But what if things weren't so simple...? Louise will stop at nothing for the truth to be revealed and the murderer arrested; even going so far as to dig up old stories and another well covered-up murder.